I have studied nineteenth-century American literature and culture for more than thirty years. My friends roll their eyes when I excitedly share a passage from Charles Chesnutt, Henry James, Herman Melville, or Kate Chopin. I wrote this book because I realized that nineteenth-century thinkers and writers have a lot to teach us about tyranny, particularly the dangers it presents to our nation. I hope you’ll find the challenge of these books as important as I do!
Judith Shklar’s account of the social harms caused by everyday cruelty is exceptional in its clarity and ethical value. She walks readers through vices that people often overlook—cruelty, hypocrisy, snobbery, misanthropy, and betrayal—showing how these “ordinary” ways of ignoring the needs of other people fray the norms of society.
The ideas are nuanced but her writing is crystal clear. I think this is the best book on ethics I have ever read.
The seven deadly sins of Christianity represent the abysses of character, whereas Judith Shklar's "ordinary vices"-cruelty, hypocrisy, snobbery, betrayal, and misanthropy-are merely treacherous shoals, flawing our characters with mean-spiritedness and inhumanity.
Shklar draws from a brilliant array of writers-Moliere and Dickens on hypocrisy, Jane Austen on snobbery, Shakespeare and Montesquieu on misanthropy, Hawthorne and Nietzsche on cruelty, Conrad and Faulkner on betrayal-to reveal the nature and effects of the vices. She examines their destructive effects, the ambiguities of the moral problems they pose to the liberal ethos, and their implications for government and citizens: liberalism is a difficult and challenging…
This book imagines a world where the United States succumbs to authoritarianism. Subsequent writers have explored this theme, but I love Lewis’s novel because it captures a precarious historical moment (the 1930s) that has a lot in common with the present day.
“Buzz” Winthrop, the politician turned dictator, whips up fears about threats to America, stressing the need to get back to the nation’s “true” values. It’s a chilling portrait of a nation that loses its way.
“The novel that foreshadowed Donald Trump’s authoritarian appeal.”—Salon
It Can’t Happen Here is the only one of Sinclair Lewis’s later novels to match the power of Main Street, Babbitt, and Arrowsmith. A cautionary tale about the fragility of democracy, it is an alarming, eerily timeless look at how fascism could take hold in America.
Written during the Great Depression, when the country was largely oblivious to Hitler’s aggression, it juxtaposes sharp political satire with the chillingly realistic rise of a president who becomes a dictator to save the nation from welfare cheats, sex, crime, and a liberal press.
Even though it was written in the nineteenth century, few books have ever matched Alexis de Tocqueville’s description of the strengths and weaknesses of the American system of government.
Most interesting to me is his insistence that, for all its democratic precepts, there are few defenses against tyranny in the United States. Although people more often focus on his account of the tyranny of the majority or democratic despotism, he is equally clear on how racism creates kinds of tyranny and that the American emphasis on economics are also ways that tyranny can take root.
When it was first published in 2000, Harvey Mansfield and Delba Winthrop's new translation of Democracy in America was lauded in all quarters as the finest and most definitive edition of Tocqueville's classic - complete with the most faithful and readable translation to date, impeccable annotations of unfamiliar references, and a substantial introduction placing the work and its author in the broader contexts of political philosophy and statesmanship. Mansfield and Winthrop's astonishing efforts have not only captured the elegance, subtlety, and profundity of Tocqueville's original, but they also offer proof of how very essential this masterpiece continues to be.
Neal Wood was a respected scholar of political thought and he wrote this book to be accessible to many readers, motivated by his conviction that the thorough embrace of capitalist competition was degrading the character and culture of the United States.
When reading this, I could not help but think about the writings of Black Americans in the nineteenth century, who argued that greed was one of the main reasons for slavery. Wood offers a sober reminder that it is useful to think about the consequences, intended and not, of our nation’s choices and priorities.
The US has been subjected to the ruthless and unrelenting tyranny of the world's most advanced capitalism, permeating every aspect of American life. The chief difference from other tyrannies is its facelessness, its dependence on impersonal coercive power more than on direct violence and terror against its subjects. A frightening irony of this new tyranny, dissected by the distinguished historian of political thought Neal Wood, is that it is producing a degenerating society and a politics headed toward collapse. All world empires have decayed from within and eventually fallen. The new tyranny's demise may long be hidden by a sophisticated…
This book is based on a historical event: the 1898 overthrow of the democratically elected government in Wilmington, NC, by white supremacists. It is a novel that makes clear how racial hate leads to tyranny.
I think Charles Chesnutt is one of our great nineteenth-century writers and he captures the complications of the Black experience with nuance and unflinching clarity. This is a book that anyone who wants to understand the ongoing legacies of enslavement, as well as the dangers of tyranny, will be eager to read!
Based on a historically accurate account of the Wilmington, North Carolina, "race riot" of 1898, African-American author Charles W. Chesnutt's innovative novel is a passionate portrait of the betrayal of black culture in America.
For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning…
The United States is often depicted as an experiment in democracy—but what if this is only half the story? What if tyranny is as American as democracy is said to be? That is the question my book sets out to examine.
Looking at works of literature and writings in political philosophy, it explores what tyranny meant in the nineteenth-century United States. For many thinkers at the time, Napoleon Bonaparte exemplified both tyrannical and democratic values. Although the book is not about Napoleon, it explores how people in the nineteenth century used his example to understand the implications of their most prized ideals, including individualism, economic success, and self-determination.
Unlike the typical tales of a flawless fighting unit, this story follows Commander Kami Trenn and her ragtag squad of mixed-race space marines.
Dog Squad fights a mysterious adversary whose presence remains shrouded in secrecy. The fate of the universe hangs in the balance, but will they be able to make enough of a difference?
Can they hope to uncover the enemy’s plans for galactic dominance before the Alliance falls? Maybe. If they can stop fighting each other.
Across the void formed by two galactic spiral arms, vast forces face each other.
The tenuous Alliance, sixty civilizations united only by fear of invasion, prepare to resist the encroachment of their as-yet unseen enemy, known only as the Creeps.
The Void has become a battleground. Three thousand light years across, and populated by a scattering of ten thousand ‘dark’ worlds, it is the Alliance’s last chance to protect their way of life. Self-destructive, robotic drones pour across the Void in ever-increasing numbers, testing the Alliance fleets to breaking point.
